What’s New – Fiction
Shortlisted for the Baileys Women’s Prize for Fiction
“Wonderful… completely transporting.” —Madeline Miller, New York Times bestselling author of Circe and The Song of Achilles
In 1780s London, a prosperous merchant finds his quiet life upended when he unexpectedly receives a most unusual creature—and meets a most extraordinary woman—in this much-lauded, atmospheric debut that examines our capacity for wonder, obsession, and desire with all the magnetism, originality, and literary magic of The Essex Serpent.
One September evening in 1785, Jonah Hancock hears an urgent knocking on his front door near the docks of London. The captain of one of Jonah’s trading vessels is waiting eagerly on the front step, bearing shocking news. On a voyage to the Far East, he sold the Jonah’s ship for something rare and far more precious: a mermaid. Jonah is stunned—the object the captain presents him is brown and wizened, as small as an infant, with vicious teeth and claws, and a torso that ends in the tail of a fish. It is also dead.
As gossip spreads through the docks, coffee shops, parlors and brothels, all of London is curious to see this marvel in Jonah Hancock’s possession. Thrust from his ordinary existence, somber Jonah finds himself moving from the city’s seedy underbelly to the finest drawing rooms of high society. At an opulent party, he makes the acquaintance of the coquettish Angelica Neal, the most desirable woman he has ever laid eyes on—and a shrewd courtesan of great accomplishment. This meeting sparks a perilous liaison that steers both their lives onto a dangerous new course as they come to realize that priceless things often come at the greatest cost.
Imogen Hermes Gowar, Britain’s most-heralded new literary talent, makes her debut with this spellbinding novel of a merchant, a mermaid, and a madam—an unforgettable confection that explores obsession, wonder, and the deepest desires of the heart with bawdy wit, intrigue, and a touch of magic.
One of The Millions‘ “Most Anticipated” Books of 2018
Evoking the sharp insight of Little Fires Everywhere and the sweep of NW, an incisive portrait of the bliss and torment of domestic love.
Hailed as “one of the most thrilling writers at work today” (Huffington Post), Diana Evans reaches new heights with her searing depiction of two couples struggling through a year of marital crisis. In a crooked house in South London, Melissa feels increasingly that she’s defined solely by motherhood, while Michael mourns the former thrill of their romance. In the suburbs, Stephanie’s aspirations for bliss on the commuter belt, coupled with her white middle-class upbringing, compound Damian’s itch for a bigger life catalyzed by the death of his activist father. Longtime friends from the years when passion seemed permanent, the couples have stayed in touch, gathering for births and anniversaries, bonding over discussions of politics, race, and art. But as bonds fray, the lines once clearly marked by wedding bands aren’t so simply defined. Ordinary People is a moving examination of identity and parenthood, sex and grief, and the fragile architecture of love.
LONGLISTED FOR THE CENTER FOR FICTION’S FIRST NOVEL PRIZE. An Amazon Best Book of the Month and named a fall read by Buzzfeed, Nylon, Elle, Vulture and Refinery29.
“A love story for our fractured era.” ―Karen Russell, author of Vampires in the Lemon Grove and Swamplandia!
A gorgeous, raw debut novel about a young woman braving the ups and downs of motherhood in a fractured America
In Lydia Kiesling’s razor-sharp debut novel, The Golden State, we accompany Daphne, a young mother on the edge of a breakdown, as she flees her sensible but strained life in San Francisco for the high desert of Altavista with her toddler, Honey. Bucking under the weight of being a single parent―her Turkish husband is unable to return to the United States because of a “processing error”―Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity.
But clarity proves elusive. Over the next ten days Daphne is anxious, she behaves a little erratically, she drinks too much. She wanders the town looking for anyone and anything to punctuate the long hours alone with the baby. Among others, she meets Cindy, a neighbor who is active in a secessionist movement, and befriends the elderly Alice, who has traveled to Altavista as she approaches the end of her life. When her relationships with these women culminate in a dangerous standoff, Daphne must reconcile her inner narrative with the reality of a deeply divided world.
Keenly observed, bristling with humor, and set against the beauty of a little-known part of California, The Golden State is about class and cultural breakdowns, and desperate attempts to bridge old and new worlds. But more than anything, it is about motherhood: its voracious worry, frequent tedium, and enthralling, wondrous love.
“A twisty, captivating, edge-of-your-seat read.” —Megan Miranda, bestselling author of All the Missing Girls
“Creepy and oh so clever!” —Alice Feeney, bestselling author of Sometimes I Lie
A woman is forced to question her own identity in this riveting and emotionally charged thriller by the blockbuster bestselling author of The Good Girl, Mary Kubica
Jessie Sloane is on the path to rebuilding her life after years of caring for her ailing mother. She rents a new apartment and applies for college. But when the college informs her that her social security number has raised a red flag, Jessie discovers a shocking detail that causes her to doubt everything she’s ever known.
Finding herself suddenly at the center of a bizarre mystery, Jessie tumbles down a rabbit hole, which is only exacerbated by grief and a relentless lack of sleep. As days pass and the insomnia worsens, it plays with Jessie’s mind. Her judgment is blurred, her thoughts are hampered by fatigue. Jessie begins to see things until she can no longer tell the difference between what’s real and what she’s only imagined.
Meanwhile, twenty years earlier and two hundred and fifty miles away, another woman’s split-second decision may hold the key to Jessie’s secret past. Has Jessie’s whole life been a lie or have her delusions gotten the best of her?
“Capacious, unsentimental, and yet forgiving, Ultraviolet brings us both the intimacy of women’s lives and their trajectories across continents and generations. This is Suzanne Matson at her wisest and deepest―wonderful.” ―Gish Jen, author of The Girl at the Baggage Claim
Suzanne Matson’s engrossing and intimate new novel, Ultraviolet, centers on Kathryn―the daughter of Elsie and mother of Samantha―while illuminating the lives of three generations of women, each more independent than the last.
Their stories open in 1930s India, where Elsie lives with her authoritarian missionary husband and their children. Returning to the American Midwest as a teenager, Kathryn feels alienated and restless. When she loses her mother prematurely to a stroke, she escapes to Oregon for a fresh start. Disappointed that her education was cut short by her father, and dreaming of becoming a writer, she supports herself as a waitress in wartime America, dating soldiers, then meeting and marrying Finnish-American Carl. A construction worker sixteen years her senior, he is an unlikely match, though appealing in his care-free ways and stark difference from her Mennonite past. But Kathryn ends up feeling trapped in the marriage, her ambitions thwarted. Samantha, who’s grown up in the atmosphere of her mother’s discontent, follows her own career to teach at a university in faraway Boston, where she maintains a happy family of her own.
When Kathryn starts to fail, Samantha moves her mother near her to care for, and then to watch over her deathbed, where “something in the room―the spell, the cord knitting them together―is cut. Or no, that can’t be right, either.” Ultraviolet is a lyrical novel of great emotional depth. Suzanne Matson recognizes both the drama that is within every existence and the strengths and fragilities of our relationships with others. She shines a brilliant light on the complexities of marriage, motherhood, aging, and the end of life.
Worlds Seen in Passing is an anthology of award-winning, eye-opening, genre-defining science fiction, fantasy, and horror from Tor.com’s first ten years, edited by Irene Gallo.
“A fresh new story going up at Tor.com is always an Event.”―Charlie Jane Anders
Since it began in 2008, Tor.com has explored countless new worlds of fiction, delving into possible and impossible futures, alternate and intriguing pasts, and realms of fantasy previously unexplored. Its hundreds of remarkable stories span from science fiction to fantasy to horror, and everything in between. Now Tor.com is making some of those worlds available for the first time in print.
This volume collects some of the best short stories Tor.com has to offer, with Hugo and Nebula Award-winning short stories and novelettes chosen from all ten years of the program.
At long last, New York Times bestselling author R. A. Salvatore returns with one of fantasy’s most beloved and enduring icons, the dark elf Drizzt Do’Urden, in an all-new trilogy full of swordplay, danger, and imaginative thrills.
Centuries ago, in the city of Menzoberranzan—the City of Spiders, the city of drow—nestled deep in the unmerciful Underdark of Toril, a young weapon master earned a reputation far above his station or that of his poor house.
The greater nobles watched him, and one powerful Matron—Malice—decided to take him as her own. She connived with rival houses to secure her prize, but it was ultimately the roguish Jarlaxle who caught him.
Thus sparked the birth of two key moments in Menzoberranzan: the coupling of a noble and weapon master that would produce Drizzt Do’Urden…and the friendship between Zaknafein and Jarlaxle.
R. A. Salvatore reveals the Underdark anew through the eyes of this unlikely pair—offering a fresh take on the intrigue and opportunities to be found in the shadows, and providing a fascinating prelude to the journeys that have shaped the modern-day Forgotten Realms. There, Zaknafein and Drizzt are joined together in a series of trials that parallel those of centuries long past, even though their paths no longer seem to be aligned. How will a father, so long constrained by the vicious and conservative world of the drow, be able to reconcile his ingrained prejudices with the world and companions of his enlightened son?
The answer lies in their desire for peace over chaos. And as long as the scourge of the goddess Lolth’s ambitions still remain, both are determined to keep her dark will at bay. But the Spider Queen is powerful, and now demons have been unleashed on the unwitting denizens of the surface world. United in purpose—and through their mutual friendship with Jarlaxle—Zaknafein and Drizzt will need to put aside their differences in order to keep the ones they love safe.
Police chief Jesse Stone returns in the newest novel in Robert B. Parker’s New York Times–bestselling series, and his newest case hits right at the heart of the Paradise police force.
Jesse Stone is back on the job after a stint in rehab, and the road to recovery is immediately made bumpy by a series of disturbing and apparently racially motivated crimes, beginning with the murder of an African American woman. Then, Jesse’s own deputy Alisha–the first black woman hired by the Paradise police force–becomes the target of a sophisticated frame-up. As he and his team work tirelessly to unravel the truth, he has to wonder if this is just one part of an even grander plot, one with an end game more destructive than any of them can imagine.
At the same time, a mysterious young man named Cole Slayton rolls into town with a chip on his shoulder and a problem with authority–namely, Jesse. Yet, something about the angry twenty-something appeals to Jesse, and he takes Cole under his wing. But there’s more to him than meets the eye, and his secrets might change Jesse’s life forever.
A brilliant, funny, and emphatically raw novel of love on the brink of the apocalypse, from the acclaimed author of The Lonely City.
“She had no idea what to do with love, she experienced it as invasion, as the prelude to loss and pain, she really didn’t have a clue.”
Kathy is a writer. Kathy is getting married. It’s the summer of 2017 and the whole world is falling apart. Fast-paced and frantic, Crudo unfolds in real time from the full-throttle perspective of a commitment-phobic artist who may or may not be Kathy Acker.
From a Tuscan hotel for the superrich to a Brexit-paralyzed United Kingdom, Kathy spends the first summer of her forties adjusting to the idea of a lifelong commitment. But it’s not only Kathy who’s changing. Fascism is on the rise, truth is dead, the planet is heating up, and Trump is tweeting the world ever-closer to nuclear war. How do you make art, let alone a life, when one rogue tweet could end it all?
In Crudo, her first work of fiction, Olivia Laing radically rewires the novel with a fierce, compassionate account of learning to love when the end of the world seems near.
“A fiendishly efficient, gorgeously written, nasty little thrill ride of a psychological thriller. I couldn’t put it down, and it’s entirely possible that I’ll never sleep again. A true tour-de-force of a debut novel.”—Lyndsay Faye, author of The Gods of Gotham and Jane Steele
For fans of Shirley Jackson, Sarah Waters and Daphne du Maurier, an electrifying debut about a boy left alone in his family’s English estate with a housekeeper he suspects has murdered his mother
Nine-year-old Samuel lives alone in a once-great estate in Surrey with the family’s housekeeper, Ruth. His father is dead and his mother has been abroad for months, purportedly tending to her late husband’s faltering business. She left in a hurry one night while Samuel was sleeping and did not say goodbye.
Beyond her sporadic postcards, Samuel hears nothing from his mother. He misses her dearly and maps her journey in an atlas he finds in her study. Samuel’s life is otherwise regulated by Ruth, who runs the house with an iron fist. Only she and Samuel know how brutally she enforces order.
As rumors in town begin to swirl, Samuel wonders whether something more sinister is afoot. Perhaps his mother did not leave but was murdered—by Ruth.
Artful, haunting and hurtling toward a psychological showdown, The Boy at the Keyhole is an incandescent debut about the precarious dance between truth and perception, and the shocking acts that occur behind closed doors.
“Geni’s fascination with the borders between human and animal drives this distinctive sophomore novel . . . Geni continues to create works of art with perfect voices that are simultaneously thrillers and meditations on nature. It is an incredible trick.” ―Kirkus Reviews(starred review)
When a Category 5 tornado ravaged Mercy, Oklahoma, no family in the small town lost more than the McClouds. Their home and farm were instantly demolished, and orphaned siblings Darlene, Jane, and Cora made media headlines. This relentless national attention and the tornado’s aftermath caused great tension with their brother, Tucker, who soon abandoned his sisters and disappeared.
On the three-year anniversary of the tornado, a cosmetics factory outside of Mercy is bombed, and the lab animals trapped within are released. Tucker reappears, injured from the blast, and seeks the help of nine-year-old Cora. Caught up in the thrall of her charismatic brother, whom she has desperately missed, Cora agrees to accompany Tucker on a cross-country mission to make war on human civilization.
Cora becomes her brother’s unwitting accomplice, taking on a new identity while engaging in acts of escalating violence. Darlene works with Mercy police to find her siblings, leading to an unexpected showdown at a zoo in Southern California. The Wildlands is another remarkable literary thriller from critically acclaimed writer Abby Geni, one that examines what happens when one family becomes trapped in the tenuous space between the human and animal worlds.
“A novel for our time, a courageous and necessary book.” —Jennifer Haigh, author of Heat and Light
In this stunning novel about judgment, courage, heartbreak, and change, author Silas House wrestles with the limits of belief and the infinite ways to love.
In the aftermath of a flood that washes away much of a small Tennessee town, evangelical preacher Asher Sharp offers shelter to two gay men. In doing so, he starts to see his life anew—and risks losing everything: his wife, locked into her religious prejudices; his congregation, which shuns Asher after he delivers a passionate sermon in defense of tolerance; and his young son, Justin, caught in the middle of what turns into a bitter custody battle.
With no way out but ahead, Asher takes Justin and flees to Key West, where he hopes to find his brother, Luke, whom he’d turned against years ago after Luke came out. And it is there, at the southernmost point of the country, that Asher and Justin discover a new way of thinking about the world, and a new way of understanding love.
Southernmost is a tender and affecting book, a meditation on love and its consequences.
From the New York Times bestselling author of A Million Little Pieces and Bright Shiny Morningcomes Katerina, James Frey’s highly anticipated new novel set in 1992 Paris and contemporary Los Angeles.
A kiss, a touch. A smile and a beating heart. Love and sex and dreams, art and drugs and the madness of youth. Betrayal and heartbreak, regret and pain, the melancholy of age. Katerina, the explosive new novel by America’s most controversial writer, is a sweeping love story alternating between 1992 Paris and Los Angeles in 2018.
At its center are a young writer and a young model on the verge of fame, both reckless, impulsive, addicted, and deeply in love. Twenty-five years later, the writer is rich, famous, and numb, and he wants to drive his car into a tree, when he receives an anonymous message that draws him back to the life, and possibly the love, he abandoned years prior. Written in the same percussive, propulsive, dazzling, breathtaking style as A Million Little Pieces, Katerina echoes and complements that most controversial of memoirs, and plays with the same issues of fiction and reality that created, nearly destroyed, and then recreated James Frey in the American imagination.
In a richly romantic novel set in stunning Positano, Italy, Sara Alexander weaves a story of love, family loyalty, and sacrifice spanning five decades . . .
Nestled into the cliffs in southern Italy’s Amalfi coast, Positano is an artist’s vision, with rows of brightly hued houses perched above the sea and picturesque staircases meandering up and down the hillside. Santina, still a striking woman despite old age and the illness that saps her last strength, is spending her final days at her home, Villa San Vito. The magnificent eighteenth-century palazzo is very different from the tiny house in which she grew up. And as she decides its fate, she must confront the choices that led her here so long ago . . .
In 1949, Positano is as yet undiscovered by tourists, a beautiful, secluded village shaking off the dust of war. Hoping to escape poverty, young Santina takes domestic work in London, ultimately becoming a housekeeper to a distinguished British major and his creative, impulsive wife, Adeline. When they move to Positano, Santina returns with them, raising their daughter as Adeline’s mental health declines. With each passing year, Santina becomes more deeply enmeshed within the family, trying to navigate her complicated feelings for a man who is much more than an employer—while hiding secrets that could shatter the only home she knows . . .
#1 NEW YORK TIMES BESTSELLER
In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.
Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.
Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.
At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.
Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.